In Camera

The boundaries between the "real" and the imaginary get blurred, intertwined, and redefined in this British debut that traces the path of a young actor determined to take center stage in his own life. Tired of awkward auditions, repeated rejections, and playing dead bodies in TV series, Aiden decides it's time to take on a new role, away from the cameras, wanting to construct the narrative of his life himself. And probably without being prepared for the consequences. In a world where even our own self-image may often seem like a construct, In Camera unfolds as a moral and intellectual puzzle about the fragmented nature of modern existence and even reality itself. A sardonic and often humorous, existential quasi-thriller about the roles we are called upon to play and the fluid, disorienting nature of the here-and-now.

Comments
CinemaSerf

The camera clearly loves Nabhaan Rizwan in this quirky tale of would-be actor "Aden" who spends most of his life travelling from audition to photo-shoot then back to an audition without ever getting a call back. It's clear that he's swimming against a tide of hundreds of like-minded aspirants and it's hard to see how he's going to break his duck. He shares a flat with the permanently over-tired doctor "Bo" (Rory Fleck Byrne) but maybe things could pick up with their debonaire new sharer "Conrad" (Amir El-Masry) shows up. Might his luck be about to improve? Or - might our friend have taken a bit of a leap into an alternate reality where his sub-conscious has started to change the repetitive dynamic of his life from one of repeated rejection to one of potential. By mid-way through, it's not at all clear to us just what is real and what might not be - and it's quite a bamboozling feeling to have! Rizwan brings some charisma to his frustrated role, certainly, and there's some genuinely funny moments to be taken from his increasing despondency, but somehow I found the whole thing just a bit too disjointed and the characterisations undercooked. He is obviously a British-Asian, but are his experiences seeking success with his chosen career likely to be any less disappointing that anyone from a different background/ethnicity? I'm assuming 99% of people who embark on this sort of path end up working on tables and only ever see the bright lights of their shaving mirror? If it's trying to illustrate a complex sense of anxiety and it's consequences, then it misses completely, I'm afraid. Why should we care about the self-inflicted misery of a great looking man who could just easily go and do something else? Though I did like the exploratory premiss that director Naqqash Khalid is trying to take, I just felt too much was left undeveloped. It's worth a watch, and I'm sure we will see more from both the leading creatives here - but this one, I'm not sure I will remember for long.

posts by : CinemaSerf