Call Me Kate
Genres Documentary
Directors Lorna Tucker
Writer Lorna Tucker
Country United States
Votes 612
Rating 7.1
IMDBID tt13093834
Runtime 86
Languages English
Release 12 May, 2023
Katharine 'Kate' Hepburn is definitive and distinctive, a force of nature, a once-in-a generation talent, whose progressive and free-spirited nature defines her roles, an actress who wins more Academy Awards than any other. Our audience experiences an intimate revelation, the truth behind the beautiful, chiseled, public face. We celebrate a radical and pioneering woman of profound influence, who doesn't fit into any of the 'boxes' expected of her. Throughout her life, she wears various female identities: daughter, sister, actress, beauty, wife, girlfriend, victim, superstar. It takes great loss and hard won insight to be happy just being Kate. Call Me Kate is also a movie for the outcasts, the misfits, the girls and boys uncomfortable in their own skin, who don't conform with traditional expectations. It is the universal story of how - like Kate - we must be true to ourselves, not the forces that shape us.
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Peter McGinn
This was a very interesting and revealing look at the life of a great actress and — though she never called herself one — feminist. It describes what she calls her idyllic childhood, though we learn that it was not without its serious problems including a sibling suicide. The documentary goes on to describe her developing fame and career, both in theater and film. They tell the story mostly through friends and relatives and readings from letters. We don’t have the usual parade of current movie stars or film critics, though there may be one or two. I was surprised to learn that there were lapses in her career, when the movie audience and/or film execs didn’t like her, plus a work break she took to care for an ailing Spencer Tracy. But as she described it, she always pushed herself to move forward, doing only what she wanted to do. She was a great negotiator, and many times she either formed a deal with a project she owned, or else made sure she got a favorable role. She was apparently also likely to work with people who allowed her to change scripts to better represent her own ideals. She was no studio contract player.
posts by : Peter McGinn