William Tell
2024
In 14th Century Switzerland, a once peaceful hunter leads his people to rebellion after his family and country are threatened by a tyrannical Austrian King. The year is 1307 and the Holy Roman Empire is crumbling. As its grip on Europe loosens, new dynasties such as the Austrian Habsburg Family encroach on new lands, desperate for power. In Switzerland, the once peaceful country is overwhelmed and bows under the Austrian might as it advances and upends the quiet lives of the Swiss peasants.
Read full story →Top Cast
Claes Bang
Actor
Connor Swindells
Actor
Golshifteh Farahani
Actor
Jonah Hauer-King
Actor
Ellie Bamber
Actor
Rafe Spall
Actor
Emily Beecham
Actor
Jonathan Pryce
Actor
Ben Kingsley
Actor
Solly McLeod
Actor
Amar Chadha-Patel
Actor
Sam Keeley
Actor
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CinemaSerf
22 Jan 2025Hmmm. Never before have I heard anyone proudly declare "We are Swiss" in quite such an underwhelming manner before, and that rather sums up the lacklustre performance of Claes Bang as the title character in this verbose crossbow chronology. Traumatised by his experiences in the Crusade, he's now not a natural rebel but is instead content to live peaceably with his wife and son. When he comes to the rescue of a stranger whose wife had just been raped and murdered by the occupying troops of the King of Austria (Sir Ben Kingsley) his former valiance is rekindled and releases all manner of hell on his unprepared, unarmed and unsuspecting people. Pursued by the maniacal "Gessler" (Connor Swindell) and his blonde henchman "Stussi" (Jake Dunn), he has to rediscover his skill with the arrow, and yes - there's the legendary scene with the apple and the boy's head! There is some stunning Alpine photography mingled in with the pretty obvious CGI, and to be fair to it there are plenty of action scenes as Tell and his rapidly increasing circle of friends proves to be quite adept at reducing their foes to wriggling corpses. Sir Ben has managed to fish out his eye patch from "The Last Legion" (2007) but like Sir Jonathan Pryce, he doesn't really feature enough to make much more than a few cameo appearances to add a little bit of Thespian gravitas to this rather sterile and flat history. The characters are really lacking in charisma in this film and the long-winded dialogue and charm-free efforts from all but, perhaps, Dunn - think a weedier version of "Stamper" from "Tomorrow Never Dies" (1997) just don't really resonate much at all. There's plenty of attention to the creative detail with the costumes and castles all fitting the bill nicely but it's probably half an hour longer than it needs to be and screams sequel at us at it's all rather rushed end.