The Beast
Genres Drama ,Romance ,Sci-Fi
Directors Bertrand Bonello
Writer Bertrand Bonello
Country France
Votes 9348
IMDBID tt14407336
Runtime 146
Languages French
Release 28 Jul, 2024
Cast Léa Seydoux ,George MacKay ,Guslagie Malanda ,Dasha Nekrasova ,Martin Scali
In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her previous lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she has known him forever. A melodrama crossed by the genre, which unfolds over three distinct periods, 1910, 2014 and 2044.
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CinemaSerf
Though it's really way too long, I did rather enjoy the developing chemistry here between Léa Seydoux ("Gabrielle") and George MacKay's "Louis". The story isn't really structured, it's all largely dictated from her consciousness lounging in the bath of Guinness no longer needed by "Baron Harkkonen" where she is having her DNA cleansed. This is ostensibly to make her life happier and more fulfilled, to take the rough edges off disappointment and pain - and generally to turn her into a rather soporific drone. The thing is, whilst plugged in and gently soaking we discover that her brain isn't co-operating with the process and that she is having very lifelike fantasies - historical, contemporary and futuristic with the handsome and enigmatic "Louis". The story in itself isn't really up to very much. It's an episodic jaunt through what is/was/might be their lives - together and apart. What does work well is the ambiguity. The sense that artificial intelligence, either working on it's own or at the behest of humanity, can rearrange our thoughts and our memories. It can create as convincingly as it can delete comprehensively - and all because there is a sense that emotions are unpredictable, unreliable and therefore a threat to the stability of a new "natural order". The dialogue can meander into the realms of psycho-babble now and again which does detract from the subtle but clear thrust of the narrative, but it is actually quite a scary prognosis of what might become fact if we are not careful to protect what is real and important.
posts by : CinemaSerf